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Josh
Slater
Wrestlers from the 1980's: Bam Bam Bigelow, Junk Yard Dog, Jake the Snake,
Misty Blue, Paul Morris [2002]
Acrylic on paper |
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INTIMIDATION
REMOVAL MACHINE:
Transient
Gallery by Laura Martin
written by contributor
Planting a refreshing spin on the old conventional gallery concept, “Transient,”
a unique new roving art show concept, has arrived in New York. Developed
by independent curator Laura Martin, Transient I was the first in a series
of roving art shows slated for the spring and summer of 2003. Martin has
scored big time, bringing together some of the most innovative and undiscovered
talent on view in a “transient” setting for an audience that
might best be described as “power-playing youth culture meets baby
boomer and beyond.”
At 24, Martin’s chutzpah, passion and instinct for the art biz is
way beyond her years. Not one to be waylaid by the predictably impenetrable
New York City art scene, she managed to strategize some good moves early
on. Barely 20, Martin was already directing Weber Fine Art in Westchester
while still interning at Paul Kasmin Gallery. This led to a job working
for Jeffrey Deitch at Deitch Projects on the operations side of the business,
but seeing no opportunity to curate, Martin has decided to take Transient
full time. Armed with a cadre of heavyweight connections including a friend
in New York City real estate, she negotiated a deal to open Transient
I in a loft space at 133 W. 25th Street in exchange for the realtor’s
right to promote their properties during the show. Since then, things
have really started to take off.
“The turning point for me has been the coverage I received from
Crain’s New York Business,” she says. “From their article
I’ve been able to connect with a lot of people who would like to
use my business for curating in their spaces.”
And yet, in as much as it’s a business, Martin hasn’t lost
site of her love of curating. She tells me her experience working for
Deitch has really inspired her – that it’s brought her up
to the next level. “Jeffrey has, I believe, the greatest eye for
artwork that I’ve ever seen,” she confides. “Working
for him has been really learning from a master.”
“Gravy Boat Princess,” the title for Transient I, represents
Martin’s first unified theme: a group of six artists all using childlike
imagery to interpret mature subject matter. For the most part, her artists
are multifarious – their only commonality being perhaps a flair
for the original. “I’m looking out for new, innovative artists,
particularly those without representation,” she explains. “Just
because you don’t have a show at Deitch Projects or Gagosian or
Mary Boone doesn’t mean that you’re not a great artist.”
Martin, who is, in a sense, herself an art world pioneer, abhors the fact
that the art biz is continuously chasing the same artists, and her artist
selection criterion reflects this. She’s a firm believer in the
notion that you don’t have to be a millionaire to buy great art,
choosing young career artists whose prices aren’t yet out of reach
for the average art buyer. Having astutely identified a direct correlation
between dollar value and what might be called “the art world intimidation
factor,” with Transient, Martin aims to demystify contemporary art,
hoping to make it feel more widely accessible and less intimidating to
beginning collectors. She tells me that the roving concept is pivotal
in the creation of an enhanced, low-key yet value-added art viewing experience.
“Everyone wants to be part of a cool and hip underground scene.
By having roving show venues, you have to be on the lookout for the next
event – you have to be tapped in.” And as far as Laura Martin
is concerned, developing an intellectually invested art following is just
an all-around good thing for New York.
TRANSIENT
@ Telomere Projects
475 Kent Ave. at S. 11th, 6th Floor
917 952 6024
email@transientnyc.com
BITTEN
Opening: April 4th 6-9pm
Exhibition dates: April 4 - May 4, 2003
ONE MINUTE DISTRACTIONS
60-62 Lispenard St @ Broadway, NYC
opening: April 5th 6-9pm
exhibition dates: April 5 - May 4, 2003
© 2002 Artsy Magazine. All Rights Reserved.
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